Mumbiram only makes a portrait of a person if he feels a bond of friendship with that person. That must be the reason why Mumbiram is incredibly rapid in his rendition. Yet his hand is not moving in a frenzy. Every line every turn is deliberate and purposeful, as if he already knew exactly how the finished picture is going to look, even before he began. It is entirely unbelaboured and effortless. It puts the viewer at ease, not insult his intelligence. He makes it appear so easy you feel, ‘Hey, I could have done it !’